In many of the debates that have surrounded disability, sexuality, and desire over the course of the past century, discussions of normalcy tend to predominate, wherein normalcy acts to demarcate the highly contested terrain between acceptable and unacceptable bodies and desires. Arguably, it is a continuous cultural project to direct and produce normative desires, and the desires that crystallize around the amputated body (along the continuum of amputee, devotee, pretender, and wannabe), and its unique capacity to re-organize desire and redistribute pleasure to non-genital, non-normative sites, can be employed both to reproduce and rethink desires and differences in relation to selfsameness, embodiment, sexuality, and the dissemination of power and personhood.
Analyzing the ways that the bodies and desires of amputees and their admirers have been represented and rationalized in medical, scientific, and psychoanalytic texts, the author tracks the ways that these bodies and pleasures are pathologized, eroticized, and criticized across historical and social terrains. In an attempt to create a nuanced portrayal of the experiential discourses of the lived person at the intersection of disability and sexuality, the author then examines the ways in which people situate themselves in relation to these structures of truth and knowledge.
It becomes increasingly evident that the amputated form operates as a site upon which and within which multiple collective, material, and political fantasies are manifested and contested, where boundaries and oppositions are reinforced and ruptured.
The eroticization of the amputated form can, in many ways, act as a revelation. It produces a fissure in the myth of normalcy that opens up alternate ways to figure bodies and desires, and in so doing, unlearning inherited notions of ability and desirability, and reconstituting a norm that creates unity and liveability, enabling life through practices of inclusion, rather than exclusion.
Conflict of Interest: None disclosed
Financial Support/Funding: None disclosed
Sydney, Australia, April 2007